Roger De Vlaeminck, 1971 Tour de France, Limited Edition of 500
Roger De Vlaeminck, Personally Hand Signed Lithograph
Limited Edition of 500
Roger De Valeminck, 1971 Tour de France
In this fantastic image, a well-dressed lady runs to hand the injured De Vlaeminck a bottle of wine. De Vlaeminck was leading the points classification at the 1971 Tour when, in Stage 7, he crashed and had to abandon the race.
WHAT YOU GET!
We here at The Horton Collection have made special arrangements to meet with Roger De Valeminck, aka Mr. Paris-Roubaix, at his home in Belgium where he will be signing our limited edition lithographs.
This is without question the highest quality print series we have ever done. We have always tried our best to outdo the quality of our last project, and this go-round has us wondering how we will ever top the quality of this year’s prints.
Lithograph Size: 20×24 inches.
The Image: Roger De Valeminck, 1971 Tour de France
In this fantastic image, a well-dressed lady runs to hand the injured De Vlaeminck what looks like a bottle of wine. De Vlaeminck was leading the points classification at the 1971 Tour when, in Stage 7, he crashed and had to abandon the race.
De Vlaeminck is a four-time winner of Paris-Roubaix and one of only three riders to win all five “Monuments of Cycling” (i.e., Milan-San Remo, Tour of Flanders, Paris-Roubaix, Liege-Bastogne-Liege, and the Giro di Lombardia)
Quality: It’s all about the Press, Paper, and Deboss/Emboss
This year we were able to talk the print masters at AMP in Dublin California to print this otherwise micro-run on their $4,500,000 Heidelberg Speedmaster press. This is an end of the rainbow press and really expensive to operate. The press itself is about 100 feet in length from where the blank paper enters to where it comes out in all its radiant printed glory.
We used 140-pound Mohawk brand paper. This awesome stock has a wonderful toothy feel that reeks of luxury. If the paper were any thicker, we would have to ship the prints flat.
We had excellent paper, stunning images, and a phenomenal press. We wanted more. We felt we were right at the precipice of perfection but needed to go a little further. At this point, we can’t recall exactly whose idea it was, but when the deboss/emboss idea emerged, we knew that was our missing link. An exorbitantly expensive process that includes multi-stage custom handmade dies, hyper-specialized machinery, and an ocean of patience to execute correctly, this alone is the pièce de résistance that elevated this endeavor to art. Take a look at the additional photos on this page. Essentially, the deboss is a large die that slams the paper precisely on the image line and leaves behind a striking beveled edge.
Embossing is the opposite of debossing. The emboss has the die coming from the bottom and pushes the paper up. We created a unique logo design special for our prints.
The debossed and embossed print has a beautiful finished look, it is ready to go straight into a frame. No mats needed.
Another benefit of this process is the ease of knowing the real product from a fake. Between the paper, the press, and especially the deboss/emboss process, the counterfeiters are going to move on to easier marks. What you will own is something that lies somewhere between extremely unique to absolutely never before seen quality in the cycling world. Can you tell we are proud of these?
If you order two or more of any of the signed lithographs, we will include one of our new 18×24 inch Poster Art Series Limited Edition Prints at no charge. ($85 value). Trust us; you will like them. These prints were made at the same time as the De Vlaeminck lithographs using the same paper, press, and deboss/emboss process. Take a flyer. You will not be disappointed. We really do think they are that good. We will have images of the Poster Art Series in the shop next week once we get them back from the printer